Last March,
just before COVID-19 caused most of the world to go into lockdown, I actually
went to a movie theater. That’s how I got to see Emma. in all its glory on the big screen, just like God and
Hollywood intended.
And what a
treat it is! Emma. is a confection of
a movie, whipped up in pretty candy color hues of yellow, blue, and pink. This visual
sweetness is offset by Jane Austen’s tart observations. The story is further embellished
with lush scenery, beautiful costumes (I don’t think Emma wears the same
gown twice), and a soundtrack featuring Mozart and Haydn as well as traditional
English melodies.
Emma was the fourth novel Jane published,
and by 1815 when the book came out she was a successful author writing under her own name. Her fame was such that even the Prince Regent was an
admirer. Through an intermediary, he invited her to dedicate Emma to him.
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The Prince Regent in 1816 |
That request
must have bemused Jane. She was no fan of Prinny; she sided with his estranged
wife Caroline of Brunswick. Writing about the royal couple in 1813 to her
friend Martha Lloyd, Jane said: “Poor woman, I shall support her as long as I
can because she is a Woman, and because I hate her husband.”
But Jane
must have realized that when the future king asks a favor, it’s best to grant
it. So Jane wrote a rather fulsome dedication anyway, calling herself “His Royal
Highness’s dutiful and obedient humble servant.” I like to think she wrote it tongue-in-cheek.
What sets Emma apart from Austen’s previously
published novels is that the young heroine is immature and not very likable at
the outset of the story. Unlike Elizabeth Bennet in Pride and Prejudice or Elinor Dashwood in Sense and Sensibility, Emma lacks self-awareness. She’s good-hearted but basically self-centered.
“Handsome, clever, and rich,” Emma is a big fish
in a small pond and occupies the top tier of her local society. Immune to
her own privileged circumstances, she can be surprisingly insensitive and even carelessly
cruel to people of lower rank.
And she is quite
full of herself. She thinks she knows what’s best for everyone, and doesn’t
scruple to manipulate people and situations to achieve her aims.
So it’s not
surprising that Emma decides to conduct a social experiment. She takes a less fortunate school friend under her wing and decides to play matchmaker.
Harriet Smith doesn't know who her parents are, but she does know that someone is paying her tuition. It's assumed that she is "illegitimate," the offspring of unwed parents, and in those
days illegitimacy was almost always an insurmountable barrier to social acceptance. But Emma arrogantly believes that her friendship and guidance will be enough to
elevate Harriet from her inferior rank into a higher social stratum.
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Jane Austen |
So Emma convinces
Harriet to reject a humble farmer’s proposal and set her matrimonial sights instead on the local
vicar.
And as Emma counsels her protégé, she also meddles in the lives
of several people in her social circle. All the while Emma is oblivious to what’s really
going on beneath the surface. Wealthy and wise local landowner Mr. Knightley tries to
warn Emma, but she refuses to listen until it’s almost too late.
Emma’s saving
grace is that she matures throughout the book. She’s sincerely contrite when
she realizes her mistakes and she does her best to make amends. And of course,
there’s a happy ending for everyone involved.
Austen
described Emma as a character that no one other than herself would much like.
But history has proved Jane wrong. Emma
is one of Austen’s most popular novels. It’s comical,
light-hearted, and fun.
Plus, there’s something rather endearing about Emma that shines
through all he machinations. After all, she means well, even though most of the time she has no idea what’s
going on.
In recent
years Emma has been in vogue, with four
mostly faithful adaptations of Austen’s novel. In 1996 there was a television movie starring Kate Beckinsale in the title role. That year also saw a lavish
big-screen version of Jane’s tale with Gwyneth Paltrow in the lead.
Fast forward
almost a decade and you have a four-part BBC miniseries in 2009, starring Romola
Garai. And of
course, just this year there’s Emma. with
Ana Taylor Joy. (The period in the title is intentional – the director wanted
to stress that this is a faithful adaptation of the novel, a real “period piece”).

In Clueless, Emma is portrayed by Alicia Silverstone as an entitled but sweet
Beverley Hills teenager. The setting
is about as far away from the early 19th-century English countryside as you
can get, but somehow this film captures the spirit of Austen’s story better
than the other adaptations, in my opinion.
But you can judge the best adaptation for yourself. Even though cinemas remain closed for most of us, you can still see the theatrical
release of Emma. For $15 you can download it on YouTube, Amazon Prime, or
Google Play.
Take it from me, this movie is a great way to sink
into Jane Austen’s world and forget about the present, at least for a couple of
hours.
Do you have a favorite Emma adaptation? Tell us in the comments.
Well, I saw Emma at the movies, and really enjoyed it. I found the actors drew me in to their emotional predicaments, and I really liked being able to see the characters – both men and women – at their most vulnerable and accessible selves. I confess I have not ready and of Jane Austen's works, but I can see how timeless are her themes and the human dynamics her characters find themselves embroiled in.
ReplyDeleteThanks for your comment! That's what I love about Jane Austen - she is such an sharp observer of human nature that no matter how many years elapse, her stories are still relatable to contemporary readers.
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